10/17/2023 0 Comments Slasher dead space 3![]() You could dance, in a club, to the beatier sections of ‘Thick Strand Universe’, hell maybe you’d try and rug-cut to the bouts of industrial funk, psychedelic noizegaze and fractal deathyowl electro the trio kick out here. Where vocals occur (‘Non Consensual Tessellation’, ‘Band Of Reflection’) they are subject to processing of the harsh-sibilance type I associate with both of 2FAC. What also happens is 38 minutes of form-fucking post-proto-tekno heat!īackpfeifenphaseshift isn’t a maximalist or lavish recording, but there is an extraordinary amount happening most of the time, all these stabs and jabs and kicks and ear drum buzzes things that repeat unto the horizon, things that pop up before vanishing. So this tape, Backpfeifenphaseshift, is what happens when a Spanish-born, Berlin-resident Briton, a Welshwoman in Leeds and a Canadian in France catch the ear of a Dutch/Belgian label, Futura Resistenza. I dimly recall Horacio – Leon Barnett – as a mid-00s associate of the Wrong Music stable 2FAC, as they sometimes abbreviate to, are Gretchen Aury from Guttersnipe/The Ephemeron Loop etc and Sydney Koke from The Courtneys, Slaylor Moon etc. Two Form A Click v Horacio Pollard are a duo plus a solo. In a move that might even be described as ‘subversive’ if I’d stuck my head entirely up my arse and/or fancied a laugh, July’s edition of New Weird Britain opens with three examples of music that is not, in its entirety, ‘from’ Britain.
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